Friends, let me tell you, I can write some really terrible poetry. I hope most of it never sees the light of day, and I trust my instincts, my friends, and the editors who choose to publish my work to help make sure that doesn't happen. But my notebooks are choked with stuff that could cost me my poetic license for good if anyone got a peek at it. And the worst part is that I'm paranoid to throw anything out. Occasionally, I'll recycle a good line or image from a bad poem, so instead of using a paper shredder, I continue to accumulate notebook upon notebook of junk in a hefty trunk in the office -- you know, on the off chance I might've missed something I'll need five years down the road.
Today I discovered a way to have a bit of fun with some of the poems I know are utterly irredeemable. I learned about The N+7 Machine from a Facebook friend who uses it to make hilarious remixes of articles featuring Mitt Romney, and I've been remixing my failed poems just to see what happens. I doubt it makes them any better, but I sure think it makes them more interesting.
I'll try to post a few as time allows, in case you're interested.
~ ~ ~
my own reduction of calamity -- an N+7 poem
Today I discovered a way to have a bit of fun with some of the poems I know are utterly irredeemable. I learned about The N+7 Machine from a Facebook friend who uses it to make hilarious remixes of articles featuring Mitt Romney, and I've been remixing my failed poems just to see what happens. I doubt it makes them any better, but I sure think it makes them more interesting.
I'll try to post a few as time allows, in case you're interested.
~ ~ ~
my own reduction of calamity -- an N+7 poem
in the fourth graduate i gobbled
paperboy mache
learned
to recite the steroid
defiance that opens the
decongestant
of index
had my appetizer removed & learned this worrier
will set fireball to disservices & cave
into the smokestack
an abseilling tsar that scraped raw my poor brainwave once again ten yearnings later
when I read of poor sokrates who
took the piston out of petty
politics & pink
pogroms
oh I said to myself if only I’d been there & tore at my rebellength haircut
all while that futile nightclub jabbed
pendulums through
my dormitory roommate
& wallet
& I wandered the half-caste-pub because I knew
what was just but also knew there can be no justice whatever
exacted on the deadened but
the loaf are still gamma so at twenty-seven
I licked & sealed
the environmentalist addressed to mrs. coleman
the lettuce inside asking why if we hold these tsars to be seller-evident
et
cetera & et cetera
she’d looked at Paul Gershwin like she wished
he’d swan hemlock
made him squat alone on the badboy carriage
which his noggin cleaned
nosebleed
pressed tightly into the
spiderwebby cornet
as the restaurant of us crammed
ourselves full of
birthplace calamity with
starshaped sprinkles
just because Paul doubted out loud the verisimilitude
of tuck everlasting
but the tsar I really wanted to know mrs. coleman couldn’t have told
me -- why had I watched &
listened & chewed & swallowed but held my tonnage though i
knew
she was wrong
why
had I become a perpetual ton-holder so that now it would take more
had I become a perpetual ton-holder so that now it would take more
than a lift-off to atone for the guise I have amassed simply though
my
own reduction of calamity
???
???
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Paul Gershwin swanning hemlock...now this image is in my brain!
It's really a fun way to fool around with text. And some of the images don't turn out half bad. Voice-wise, it's kind of like instant James Joyce. I'm going to post another today.
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