03 November 2012

Fun With Failed Poems

Friends, let me tell you, I can write some really terrible poetry. I hope most of it never sees the light of day, and I trust my instincts, my friends, and the editors who choose to publish my work to help make sure that doesn't happen. But my notebooks are choked with stuff that could cost me my poetic license for good if anyone got a peek at it. And the worst part is that I'm paranoid to throw anything out. Occasionally, I'll recycle a good line or image from a bad poem, so instead of using a paper shredder, I continue to accumulate notebook upon notebook of junk in a hefty trunk in the office -- you know, on the off chance I might've missed something I'll need five years down the road.

Today I discovered a way to have a bit of fun with some of the poems I know are utterly irredeemable. I learned about The N+7 Machine from a Facebook friend who uses it to make hilarious remixes of articles featuring Mitt Romney, and I've been remixing my failed poems just to see what happens. I doubt it makes them any better, but I sure think it makes them more interesting.

I'll try to post a few as time allows, in case you're interested.

~ ~ ~

my own reduction of calamity -- an N+7 poem

in the fourth graduate i gobbled
     paperboy mache 
                    learned to recite the steroid defiance that opens the decongestant 
              of index 
had my appetizer removed & learned this worrier 
will set fireball to disservices & cave
                     into the smokestack 
an abseilling tsar that scraped raw my poor brainwave once again ten yearnings later 
           when I read of poor sokrates who took the piston out of petty politics & pink pogroms 
oh I said to myself if only I’d been there & tore at my rebellength haircut 
                       all while that futile nightclub jabbed pendulums through 
                          my dormitory roommate
                          & wallet 
                          & I wandered the half-caste-pub because I knew 
what was just but also knew there can be no justice whatever 
              exacted on the deadened but the loaf are still gamma so at twenty-seven 
                                 I licked & sealed
the environmentalist addressed to mrs. coleman 
the lettuce inside asking why if we hold these tsars to be seller-evident 
                                             et cetera & et cetera 
she’d looked at Paul Gershwin like she wished
             he’d swan hemlock 
made him squat alone on the badboy carriage 
                           which his noggin cleaned 
      nosebleed pressed tightly into the spiderwebby cornet 
                                            as the restaurant of us crammed ourselves full of birthplace calamity with starshaped sprinkles 
just because Paul doubted out loud the verisimilitude 
                                          of tuck everlasting 
but the tsar I really wanted to know mrs. coleman couldn’t have told me -- why had I watched &          
                                         listened & chewed & swallowed but held my tonnage though i
                                         knew
                                         she was wrong 
               why 
                     had I become a perpetual ton-holder so that now it would take more
          than a lift-off to atone for the guise I have amassed simply though
                                              my own reduction of calamity 
                                                          ???

3 comments:

Steve Finnell said...

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Jeanne said...

Paul Gershwin swanning hemlock...now this image is in my brain!

Justin Hamm said...

It's really a fun way to fool around with text. And some of the images don't turn out half bad. Voice-wise, it's kind of like instant James Joyce. I'm going to post another today.